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The FIDLAR Band Review
The Skate Punk Band Making Waves Out Of California…
“FIDLAR” is a skate punk band from Los Angeles, California. The band’s name is an acronym for ‘Fuck It Dog, Life’s a Risk’; a skate mantra created by singer Zac Carper’s former roommates. The members of FIDLAR were seemingly destined from birth to play in a band. Originally, FIDLAR went under the name ‘Fuck The Clock.’ Three years after recording their first songs they stepped on stage and out of the gate teamed up with ‘The Black Lips’ and went on tour with ‘The Hives,‘ what kind of luck do these kids have?
Elvis Kuehn (guitar/vocals) and Max Kuehn (drums) are the sons of Greg Kuehn, keyboardist for Long Beach punk legends T.S.O.L., while Zac Carper (vocals/guitar) is the son of famed custom surfboard crafter and designer to the pros, John “JC” Carper, who works out of his home based shop in Oahu Hawaii. Along with Brandon Schwartzel (of Rooney fame) on bass, the Kuehn brothers and Carper came together in 2009 to form their local garage/skate punk band known as FIDLAR.
Before long, the four members were cohabiting in a pad on Figueroa Street, rehearsing DIY garage style and recording on site their newest tunes, and throwing insane house parties every weekend. They soon became the talk of the L.A. underground punk scene and went on the road full-time, and haven’t looked back yet.
FIDLAR haven’t stopped touring since their early beginning performing local high school-house parties, when known as “Fuck The Clock” before 2009. FIDLAR is the band to keep an eye on now as they carry the torch, and continue to make news in the underground punk rock world, proving punks not dead in skateboarding, it’s very much alive. I haven’t gotten juiced up for a sk8 punk band since 1980’s band the ‘Faction.’
In their title song “Cheap Beer” lyrics say;
“Getting fucked up on the 101, shooting our guns and having fun, 40 beers later and a line of speed, eight-ball of blow and a half-a-pound of weed. (chorus) I drink cheap beer so what fuck you…”
In the song titled “Stoked and Broke,” lyrics say;
“I just want to get really high, smoke weed until I die, I don’t ever wanna get a job, if I fucked up today, hey nothings wrong. Get pissed up by the hills, cocaine and shitty pills, get head in a broken car, with the windows up and the lights turned off. There’s nothing wrong with living like this, all my friends are pieces of shit…
The band is constantly making references to weed, cocaine, girls, guns, surfing, skating, L.S.D, pills and having no money. The songs make perfect sense for a generation of young skaters who just don’t give a fuck. Before long I was singing some of the chorus’s while driving down the road…”Wake – Bake – Skate.” These guys make me feel 22 again.
Zac Carper – guitar, vocals
Brandon Schwartzel – bass
Elvis Kuehn – guitar, vocals
Max Kuehn – drums
Los Angeles, CA
*In 2012, were named one of Stereogum’s ’40 Best New Bands of 2012′
*In the 2013 O Music Awards, FIDLAR were nominated within the ‘Best Web-Born Artist’ category.
*In 2013, AIM Independent Music Awards, hosted by Association of Independent Music (AIM), FIDLAR were nominated within the ‘Best Live Act’ category.
Greg Ginn – Let It Burn (Because I Don’t Live There Anymore)
Let It Burn marked Greg Ginn’s third solo release in less than a year, following an extended period away from the spotlight to run his SST, Cruz, and New Alliance labels. (Only figures like Frank Zappa approach such prolific drive.) As is true of his other solo albums (Getting Even, Dick), the emphasis is on raw, angular noise that sneaks up and steps on your expectations. Ginn’s songwriting remains preoccupied with personal freedom and the ways people betray each other. A resigned misanthropy hangs over tracks like “Drifting Away” (“If you want the truth, you’ll have to wait for that”), and “I Don’t Want It” (“I can’t stand the waiting anymore/I need you like a hole in the head”). “On a Roll” fires off an edgy declaration of intent, while the guitars sputter and snarl underneath the rhythm (“I don’t wanna think I’m wasting away”). There’s no love or escapism here. Ginn naturally vents his paint-peeling instrumental side. “Lame Hollywood Cop” is punked-out hip-hop driven by shuddering guitars and ferociously slapped bass. Ginn plays with a similarly percussive slant on “Military Destroys Mind/Body.” “Exiled From Lame Street,” on the other hand, effectively flicks between low rider-style funk and a stoner’s crawl to make its mournful point — with plenty of squawking leads to match. On the minus side, this album’s not as distinctive as other Ginn offerings. A nagging sameness dogs the arrangements — “Lame” pops up in three titles — and Ginn’s vocals are workmanlike at best (when you can hear them). Students of the rapid-fire, dirty-bottomed guitar chunk that characterized his Black Flag days will probably appreciate Let It Burn most; otherwise, stick with Getting Even.
Unquestionably the most influential guitarist to emerge from the late-’70s/early-’80s U.S. hardcore/punk movement was Black Flag’s Greg Ginn. Never afraid to incorporate other musical styles into his playing (namely jazz fusion and Black Sabbathy heavy metal), as well as squealing feedback from his amplifier, Ginn’s guitar also served as a major ingredient to the Black Flag sound as he was the only original member to remain in the group from its formation until its demise. Influenced equally by the Grateful Dead and the Stooges, Ginn formed Black Flag in 1977, but the group didn’t really start to make a name for itself until Ginn set up shop in Hermosa Beach, California in early 1979, where he began running an electronics supply business. It was during this time that the phrase “SST” was coined (an abbreviation for Solid State Transmitter), which would eventually be used for the name of Black Flag’s record label. Although members came and went at a steady rate (including singers Keith Morris, Ron Reyes, and Dez Cadena), Black Flag prevailed, building a large and loyal following on the strength of their explosive live show, EPs/singles (including such classics as Nervous Breakdown and Jealous Again), and an appearance in the cult classic L.A. punk documentary The Decline of Western Civilization. Ginn also began to favor a Plexiglas “Dan Armstrong” guitar, which would soon become a trademark of sorts for both him and the band (despite eventually becoming covered with black tape).
Black Flag began to make a nationwide impact when big-time Flag fan Henry Rollins signed on as the group’s fourth vocalist, which resulted in the group’s first-ever full-length album, 1981’s Damaged, considered by many as one of the greatest hardcore albums of all time. Although legal red tape would keep Black Flag from issuing a follow-up as quickly as they would have liked (which included Ginn being sent to jail for five days), the band returned more ferocious then ever, with such releases as My War and In My Head, among others. Black Flag also managed to issue a completely instrumental release, Process of Weeding Out, which inspired Ginn to launch his own instrumental project, Gone, resulting in a pair of releases around this time as well, Let’s Get Real, Real Gone for a Change, and Gone II: But Never Too Gone. Additionally, Ginn launched another side project around this time, October Faction, which included contributions from many other SST artists. Black Flag broke up after a final U.S. tour in 1986, and while many assumed that Ginn would simply play with Gone full-time, he decided to focus on record company work, forming an all-new label, Cruz, while running the Minutemen’s former label, New Alliance, as well as SST.
The early ’90s saw Ginn return from his exile as he began issuing solo albums, including such titles as Getting Even, Payday, Dick, and Let It Burn, as well as surprisingly relaunching Gone. Ginn has also performed alongside other acts (Mojack, Hor, Killer Tweaker Bees, etc.), briefly operated a coffeehouse, The Idea Room, and has been known to appear under an alias, Poindexter Stewart, on his own radio program, Screw Radio. In 2003, Ginn put together a new version of Black Flag (he and Cadena were the only recognizable names) to perform benefit shows for several different cat rescues. Ginn moved to Taylor, Texas in 2004 and created a new instrumental band called the Texas Corrugators; he played everything but drums, which were handled by Steve DeLollis.
They recorded two albums, Bent Edge in 2007 and Goof Off Experts in 2008. (Live outings included different personnel, with Ginn on bass and guitar, with guitarist Gary Piazza and New Monsoon’s Sean Hutchinson on drums.) Ginn describes their live sets as being 100-percent live improvisation incorporating rock, jazz, Latin, psychedelia, and country. In 2010 he changed the name of the band to the Taylor Texas Corrugators and released the album Legends of Williamson County on SST. Meanwhile, he continued to release experimental albums under his own name, including 2011’s We Are Amused and 2013’s.
Album: VinylTitle: Greg Ginn – Let It Burn (Because I Don’t Live There Anymore)
Label: Cruz RecordsYear: 1994
|A1||On A Roll||2:33|
|A2||Taking The Other Side||2:31|
|A3||Lame Hollywood Cop||3:50|
|A5||In Your Face Motherfucker||2:55|
|A6||Hey, Stupid Face||2:46|
|B1||Let It Burn||3:07|
|B3||Military Destroys Mind/Body||1:47|
|B4||I Don’t Want It||3:28|
|B5||Destroy My Mind||3:29|
|B6||Exiled From Lame Street||3:22|
- Bass – Greg Ginn (tracks: 3, 6, 10), Steve Sharp (tracks: 5, 13)
- Drums – Andy Batwinas (tracks: 3, 6, 10), Erik Blitz (2) (tracks: 1, 2, 4, 7 to 9, 11, 12), Gregory Moore (tracks: 5, 13), Jimmy Hunter (4) (tracks: 1, 2, 4, 7 to 9, 11, 12)
- Engineer – Andy Batwinas
- Guitar – Greg Ginn
- Producer – Greg Ginn
- Vocals – Greg Ginn (tracks: 1, 2, 4, 7 to 9, 11, 12)
Recorded and mastered at Casa Destroy Studios, Long Beach, CA.
℗ 1994 Cruz Records
October 29, 2013
Legendary punk band BLACK FLAG has reformed and will play this year’s Heavy Fest, set to take place August 2-4 in Port Lympne Wild Animal Park in Kent. The group’s only 2013 appearance in the U.K. will mark the first time in 30 years that the band’s played in the country.
BLACK FLAG’s lineup for the show will include singer Ron Reyes, who was a member of the band during 1979-1980 (after Keith Morris, but before Dez Cadena) and was featured on the “Jealous Again” EP. He will be joined by guitarist and founder Greg Ginn, as well as bassist Chuck Dukowski and drummer Roberto “Robo” Valverde.
Vocalist Henry Rollins joined BLACK FLAG in 1981 and left five years later. He has since released several music albums and established himself as a spoken-word artist and book author.
Now we have “The Chase,” which could be described as the “second new song from BLACK FLAG,
after many silent years. Fans who have had to wait more than 28 years, for the popular iconic punk rock band to offer them as a follow-up to 1985’s In My Head.
“They have undoubtedly had the greatest impact on DIY hardcore record distribution, underground touring and the hardcore music genre, of any band, before or since, as stated by a “Heavy Fest’s” spokesman. There is a whole generation of musicians and fans that would cite BLACK FLAG as being the most important band to have influenced them, without ever having the chance to see them perform live, that is until now.”
Blag Flag tour dates:
May 14 Esch-sur-Alzette, Luxembourg – Rockhal Club
May 15 Milan, Italy – Alcatraz
May 16 Zurich, Switzerland – Dynamo
May 17 Rome, Italy – The Orion
May 18 Hünxe, Germany – RUHRPOTT RODEO
May 20 Vienna, Austria – Arena Wien
May 23 Austin, TX – Infest
May 24 Dallas, TX – Trees
May 25 San Antonio, TX – The Korova
June 06 Lawrence, KS – Granada Theater
June 07 Des Moines, IA – Wooly’s
June 08 Chicago, IL – Reggie’s Rock Club
June 09 Chicago, IL – Reggie’s Rock Club
June 10 Detroit, MI – Majestic Theatre
June 11 Erie, PA – The Crooked I
June 12 Albany, NY – Bogies NY
June 13 Boston, MA – Middle East Downstairs
June 14 Brooklyn, NY – Warsaw @ The Polish National Home
June 15 Brooklyn, NY – Warsaw @ The Polish National Home
June 17 Philadelphia, PA – Union Transfer
June 18 Roanoke, VA – Growlers
June 19 Lexington, KY – Buster’s
June 20 Newport, KY – Southgate House
June 21 St. Louis, MO – Fubar
June 22 Fayetteville, AR – Rogue
July 10 El Paso, TX – Tricky Falls
July 11 Tempe, AZ – Club Red/Red Owl
July 12 Santa Ana, CA – The Observatory
July 13 Santa Ana, CA – The Observatory
July 14 Los Angeles, CA – Vex Arts
July 15 San Diego, CA – SomaSanDiego
July 16 Santa Cruz,CA – The Catalyst
July 17 Redway, CA – Mateel Community Center
July 18 Portland, OR – Hawthorne Theater
July 19 Seattle, WA – El Corazon
July 20 Vancouver, British Columbia – Chinese Cultural Centre
July 23 Oakland, CA – Oakland Metro Operahouse
July 24 Ventura, CA – The Majestic Ventura Theater
Kurt Cobains Top 50 Albums
1. The Stooges
2. Pixies – Surfer Rosa
Kurt says: A die-cast metal fossil of misplaced draft, with or without the fucking production. Everyone who has ever commented on ‘Surfer Rosa’ has said that the production’s amazing. I agree with that, but the songs are so strong that it wouldn’t have mattered if you’d listened to it through a boom-box.
I was completely nihilistic up until about four or five years ago, when I first heard this. It changed my attitude. It made me finally admit, after being into punk rock for so many years, that I finally liked other stiles as well. It made me finally admit that I’m a music lover. Their music reminded me of the music that I always wanted to do – and was doing – before I got into punk rock eight or nine years ago.
3. The Breeders
4. The Vaselines Son Of A Gun
Kurt says: I just have this feeling Eugene and Frances had a really cool relationship. I don’t know if that’s true or not, but I think it’s a really amazing thing when a couple can get on together and write some of the most beautiful songs I’ve ever heard. They’re kind of sharing their life with people. Eugene and Frances are the Captain & Tennille of the underground.
5. The Shaggs – Philosophy Of The World
Kurt says: It’s so obviously the real thing. I heard this one live song – a Carpenters song, maybe? – where they must have been playing a day centre, and the screams in the background are louder than the music. The Shaggs are another archetypal K band.
6. Fang – Landshark
7. MDC – Millions Of Dead Cops
8. Scratch Acid – Scratch Acid
9. Saccharine Trust – Paganicons
10. Butthole Surfers – Pee Pee The Sailor
11. Black Flag – My War
12. Bad Brains – Rock For Light
13. Gang Of Four – Entertainment
14. Sex Pistols – Never Mind The Bollocks
Kurt says: A million times more important than The Clash. How do I explain that? Hmm. Both were always a bad imitation of The Rolling Stones, in love with America. But at least they took their girlfriends on tour with them (The Slits). Their music was terrible, though. I blame Sandinista! for not letting me get into punk until years after I should have done – it was so bad.
The Pistols’ album has the best production of any rock record I’ve ever heard. It’s totally in-your-face and compressed. All the hype The Sex Pistols had was totally deserved – they deserved everything they got. Johnny Rotten was the one I identified with, he was the sensitive one. The only reason I might agree with people calling our band “The Sex Pistols of the 90’s” is that, for both bands, the music is a very natural thing, very sincere. But in terms of influence, fuck, no! Rock is too exhausted for that. We haven’t produced a totally original sound like that. We might be uncompromising, but that’s about it. We’re an obvious metamorphosis.
15.The Frogs – It’s Only Right And Natural
16. PJ Harvey – Dry
17. Sonic Youth – Daydream Nation
18. The Knack – Get The Knack
19. The Saints – Know Your Product
20. Kleenex – Kleenex/Liliput
21. The Raincoats – The Raincoats
22. Young Marble Giants – Colossal Youth
Kurt Says: The music relaxes you, it’s total atmospherics. It’s just nice, pleasant music. I love it. The drum machine has to have the cheesiest sound ever. We’re going to be on a Young Marble Giants compilation, doing ‘Credit In The Straight World’. I had a crush on the singer for a while – didn’t everyone? I didn’t know much about them – the Moxham brothers, right? I heard they might be getting back together again recently. Isn’t it weird how, when you hear something like that, you still get excited, even though you know you shouldn’.
23. Aerosmith – Rocks
24. Various – What is it?
25. R.E.M. – Green
26. Shonen Knife – Burning Farm
Kurt says: This was the first cassette that came out on K. Eventually, after a week of listening to it every day, I started crying. That’s how much it affected me. I just couldn’t believe that three people from a totally different culture could write songs as good as those, because I’d never heard any other Japanese music or artist who ever came up with anything good.
Everything about them is just so fucking endearing. They’re not too cute! That’s part of the charm. Do I think there’s a paedophiliac element to their appeal? I think in Japanese culture in general there’s a paedophiliac element – most of the women there dress op as young girls. It’s weird.
I’m sure that I was twice as nervous to meet them as they were to meet us. I didn’t want to offend or scare them in any way, because I know I’m a scruffy, slimy person who might scare them off – and that’s exactly what I did. They were afraid of me. In fact, on one of our first dates together, they saw me walking towards them and they screamed at the top of their voices, turned around and ran away, and then peeked their heads out of their dressing room. I was trying to reassure them that I was harmless. The communication we had with them was deathly silence and a lot of smiling.
In many ways, they’re the ultimate K band, because they are sincere, they are real. They don’t’ purposely put their guitars out of tune and they don’t purposely sing out of tune.
27. The Slits – Typical Girls
28. The Clash – Combat Rock
29. Void/Faith/Split EP
30. Rites Of Spring – Rites Of Spring
31. Beat Happening – Jamboree
32. Tales Of Terror – Tales Of Terror
33. Leadbelly – Last Sessions Volume 1
Kurt says: William Burroughs turned me onto that guy. He said that if you want to hear true honest music, you should hear Leadbelly. The songs are just amazing heartfelt.
Leadbelly was this poor black man in the early 1900s who went to jail a few times for wife-beating and robbery and getting into fights and bootlegging liquor. While he was is in prison, he started playing the guitar, and he sang so well that the governor started to like him, and let him out of jail. Leadbelly became an apprentice with Blind Lemon Jefferson and started recording songs, but none of the commercial recordings he made ever captured his true essence, except for these late sessions. They happened when this guy who’d been following his career for a few years caught him on a two-track tape recorder one night when they were hanging out at this hotel. It’s just really cool.
I hope that my songs approximate that honesty. That’s what I strive for. He was like the first punk rocker: he’d get into town, walk into an all-white bar, try to have a drink, get beat up and then go to jail because of it. So it’s really cool to hear this music, especially the air of the recordings themselves, because it’s so eerie to hear it on this crackly two-track. But that’s what Folkway records are like – they’re awesome. They even have the entire Watergate tapes available as a 10-album set. I’m gonna get a Folkways tattoo next to my Black Flag tattoo.
34. Mudhoney – Superfuzz Bigmuff
35. Daniel Johnston – Yim Jump Music
36. Flipper – Generic Flipper
37. The Beatles – Meet The Beatles
38. Half Japanese – We Are They Who Ache With Amorous Love.
Kurt says: I like to listen to Jade Fair and Half Japanese with headphones on, walking around shopping malls – in the heart of the American culture. I just think that, if people could hear this music right now, they’d melt, they wouldn’t know what to do, they’d start bouncing off the walls and hyperventilating. So I turn up the music really loud and pretend it’s blasting through the speakers in the mall.
39. Butthole Surfers – Locust Abortion Technician
40. Black Flag – Damaged
41. The Record
42. Flowers Of Romance
43. Public Enemy – It Takes A Nation Of Millions To Hold Us Back
44. The Marine Girls – Beach Party
45. David Bowie – The Man Who Sold The World
46. The Wipers – Is This Real?
47. The Wipers – Youth Of America
48. The Wipers – Over The Edge
Kurt says: Is This Real? Yes it is. The Wipers released maybe four or five albums. The first two were totally classic and influenced The Melvins and all the other punk rock bands. They’re one of the bands I tried to assimilate. Their songs were so good. Greg Sage was pretty much the romantic, quiet, visionary kind of guy. What more can I say about them? They started Seattle grunge rock in Portland, 1977.
49. Mazzy Star – She Hangs Brightly
50. Swans – Young God EP
October 27, 2013
by Rich Monday
Black Flag With New Release For First Time In 28 Years
Black Flag With New Release For First Time In 28 Years
Revived hardcore punk band Black Flag will release “What The…”, their first studio album in 28 years, on November 5th. The group put the 22-track album up on iTunes today for pre-orders and the sales were high.
Earlier this year, the group released two new songs that are included in the track list for “What the…” In May, they posted the song “Down in the Dirt” as a free download in exchange for an email address list signup. Shortly after that, Black Flag posted another new song, “The Chase,” as a video release.
Today Greg Ginn is still producing and performing!
Guitarist Greg Ginn, who co-founded Black Flag in 1976, announced the return of the group in January. Its lineup includes vocalist Ron Reyes, who sang on the band’s 1980 EP Jealous Again, as well as two new members, bassist Dave Klein and drummer Gregory Moore (who played drums at a Black Flag reunion show in 2003). In April, the group announced they would be releasing a new album. Ginn doesn’t want it to be about a reunion, or just some sort of greatest-hits act. It’s not Beatlemania, you know; for him, it’s about the music. So there has to be new music for him to even consider playing the old music.
A young Black Flag punk band in 1976 was born!
Around the same time Ginn announced the band’s return, a group of ex–Black Flag members calling themselves simply “Flag” began touring, playing songs from the band’s catalog. In August, the guitarist filed a lawsuit against that band’s members and former Black Flag front man Henry Rollins over alleged trademark infringement and related issues. A U.S. District Court judge ruled in early October that he would not provide Ginn with a temporary injunction against his former band mates due to a lack of evidence.
NEW TRACK RELEASES:
1 My Heart’s Pumping
2 Down in the Dirt
3 Blood and Ashes
4 Now Is the Time
5 Wallow in Despair
6 Slow Your Ass Down
7 It’s so Absurd
8 Shut Up
9 This Is Hell
10 Go Away
11 The Bitter End
12 The Chase
13 I’m Sick
14 It’s Not My Time to Go-Go
16 Get Out of My Way
18 No Teeth
19 To Hell and Back
20 Give Me All Your Dough
21 You Gotta Be Joking
22 Off My Shoulders